![]() Paganini's Caprice Number 24, from his Twenty-Four Caprices for Solo Violin (Opus 1), is widely considered one of the most difficult pieces for violin solo, and has served as an inspiration for many composers. Liszt was a great fan of Paganini and after hearing one of his performances decided to become the equivalent of Paganini on the piano. It is based on the last movement of Paganinis second violin concerto. ![]() He was one of the most celebrated violin virtuosi of his time, and his works had profound influence on the evolution of violin techniques. Description This virtuosic piece, commonly known as one of the most difficult in piano repertoire, was written by Franz Liszt in 1838. Niccolò Paganini (1782 - 1840) was an Italian violinist, violist, guitarist, and composer. Liszt composed an extensive and diverse body of works, which influenced subsequent composers such as Richard Wagner, Hector Berlioz, Camille Saint-Saëns, Edvard Grieg, and Alexander Borodin. He was said by his contemporaries to have been the most technically advanced pianist of his age and perhaps the greatest pianist of all time. During the 19th century he was famous throughout Europe for his great skill as a pianist. La Campanella is a revision of an earlier version from 1838, the Études dexécution transcendente daprès Paganini, S. The work has been arranged by other composers and pianists, for example by Ferruccio Busoni and Marc-André Hamelin.įranz Liszt (1811 - 1886) was a Hungarian composer, pianist, conductor, and teacher. 'La Campanella' (Italian for 'The little bell') is the nickname given to the third of Franz Liszts six Grandes études de Paganini, S. La campanella's melody comes from the final movement of Niccolò Paganini's Violin Concerto Number 2, in which the tune is reinforced by a little handbell. ![]() La campanella ( Italian: the little bell) is the nickname given to the third of the six Grandes étude s de Paganini ( Grand Paganini Études), S. ![]()
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